Photo credit: Martha Wirth Photography
Welcome to Embers, Petals, & Stars
presented by In the Wings
Note from the Director
Welcome, and thank you so much for being here, whether you're with us in person or joining us virtually. Your support means the world to us at In the Wings.
This show has truly been a long time coming. Over the past three years, it has evolved from a single piece into a full three-act production. We've faced our share of challenges along the way—from the devastation of the Marshall Fire to my personal battle with breast cancer, and even having to find a new venue due to fire code issues. Yet, through it all, our incredible cast and crew have shown immense resilience, and the show must go on.
This production is a testament to the strength of our community and the power of art to heal and inspire. I hope that as you experience this show, you feel the passion and dedication that went into every moment.
Thank you again for being part of this journey with us.
With gratitude,
Fallon
Program
ACT ONE - Fire.Ashes.Rebirth
“12:30”
Performers: Fallon Voorheis-Mathews
Choreography: Fallon Voorheis-Mathews
Music: Surfboard Fire by Blitz//Berlin edited by Fallon Voorheis-Mathews
"Alone, Together"
Performers: Ashley Sonnier, Fallon-Voorheis Mathews
Choreography: Ashley Sonnier, Fallon-Voorheis Mathews
Music: Unsteady by X Ambassadors
“Together”
Performers: Keegan Dunn, Evi Ettinger, Al Firstenberg, Naomi Graff, Leah Grandstaff, Christine Jackson, Emily Monks, Emily Scott Alea, Ashley Sonnier, Fallon-Voorheis Mathews, Bayard Wenzel, Julie Young
Choreography: Fallon Voorheis-Mathews
Music: Rise Up by Andra Day
“Still Standing”
Performers: Al Firstenberg, Naomi Graff, Christine Jackson, Ashley Sonnier, Fallon-Voorheis Mathews, Julie Young
Choreography: Fallon Voorheis-Mathews
Music: White Flag by Bishop Briggs
“Coming Home”
Performers: Keegan Dunn, Al Firstenberg, Naomi Graff, Leah Grandstaff, Christine Jackson, Nicole Londraville, Emily Monks, Emily Scott Alea, Ashley Sonnier, Fallon-Voorheis Mathews, Bayard Wenzel, Julie Young
Choreography: Fallon Voorheis-Mathews, Cyr Choreography - Nicole Londraville
Music: Welcome Home, Son by Radical Face
“If This Be Home”
Performers: Fallon-Voorheis Mathews & Ashley Sonnier
Choreography: Fallon-Voorheis Mathews
Music: If I Be Wrong by Wolf Larsen
Intermission - 15 minutes
ACT TWO - Under this Tree
“Daybreak”
Performers: Christine Jackson, Ashley Sonnier, Julie Young
Choreography: Naomi Graff
Music: Chinese Trip by Clozee
“The Tree of Love”
Performers: Leah Grandstaff, Bayard Wenzel
Choreography: Leah Grandstaff, Bayard Wenzel, & Naomi Graff
Music: Under the Cherry Blossoms by Franz Gordon, Redwood Tree by Jamie Drake
“The Coolest Tire Swing Ever”
Performers: Naomi Graff, Fallon Voorheis-Mathews
Choreography: Naomi Graff
Music: The Reef by Kerry Muzzey
“The Snow”
Performers: Keegan Dunn, Al Firstenberg, Leah Grandstaff, Christine Jackson, Emily Monks, Emily Scott Alea, Ashley Sonnier, Fallon Voorheis-Mathews, Bayard Wenzel, Julie Young
Choreography: Naomi Graff
Music: dark snowy night by daniel.mp3
“Ternura”
Performers: Naomi Graff
Choreography: Naomi Graff
Music: Sakura by Rosalia
“You’re not alone.”
Performers: Al Firstenberg & Naomi Graff
Choreography: Al Firstenberg & Naomi Graff
Music: Peace Somehow by Avi Kaplan
Intermission - 15 minutes
ACT THREE - This is the Way
“We Begin”
Performers: Keegan Dunn, Al Firstenberg, Naomi Graff, Christine Jackson, Emily Monks, Emily Scott Alea, Ashley Sonnier, Fallon-Voorheis Mathews, Julie Young
Choreography: Ashley Sonnier
Music: Star Wars - The Force Theme (Far Out Remix) by Trap Nation
“Time to Fly”
Performers: Ashley Sonnier
Choreography: Ashley Sonnier
Music: Star Wars: The Mandalorian Theme (SJT remix) by SJT
“Master & Apprentice”
Performers: Evi Ettinger, Al Firstenberg, Naomi Graff, Christine Jackson, Emily Monks, Emily Scott Alea, Ashley Sonnier, Fallon-Voorheis Mathews, Julie Young
Choreography: Ashley Sonnier
Music: Ahsoka Vs Vadar ~ star wars lofi by Closed on Sunday
“It’s a Trap”
Performers: Naomi Graff
Choreography: Naomi Graff & Ashley Sonnier
Music: Star Wars by Official Trap Vader
“No Escape: Part 1”
Performers: Nicole Londraville
Choreography: Nicole Londraville & Ashley Sonnier
Music: Republic Clone Army March
“A Cantina Special”
Performers: Duo Gravizoides - Leah Grandstaff & Bayard Wenzel
Choreography: Duo Gravizoides & Ashley Sonnier
Music: Catina - Star Wars Cover by Lamuzgueule
“The Reckoning”
Performers: Keegan Dunn, Evi Ettinger, Al Firstenberg, Naomi Graff, Leah Grandstaff, Christine Jackson, Emily Monks, Emily Scott Alea, Ashley Sonnier, Fallon-Voorheis Mathews, Bayard Wenzel, Julie Young
Choreography: Ashley Sonnier
Music: Custom Mix by Russick Smith
Special thanks to:
Sam Webb, Stage Manager
Stazi Coney, Lighting Designer
Christian Szczepanski, Projections
Kevin McVeigh, Sound board
Jeff Rusnak, Rigger
Keegan Dunn, Lead Puller
Lauren Cook & Tim Hill, Videographers
Evi Ettinger, ITW Student
Rebecca Sonnier in Memory of Greg Sonnier, Star Wars Costumes
Jessica Riggs, Life/Art Dance, Fire.Ashes.Rebirth, Community Costume Support
Cathy Gauch, Fabric donation for Daybreak Costuming
Tiny Planet Ink, Custom T-shirts
Special thanks to Sarah Patrinellis. I have yet to meet Sarah in person. We taught virtually during the pandemic for the Circus Workout Parties. After Sarah heard about the loss I suffered, she asked for my address and mailed me her fire silk complete with rigging hardware. That silk helped me get back on my feet and in the air both creatively and literally. The generosity and kindness of those in our community will never be lost on me and I’m forever grateful. Sarah wasn’t the only one who did something like this for me, just the only one I hadn’t met. I’d also like to thank Staza Stone, Tim Omspach from VVOLFY metalworks, Megan Fahey McMaster from Gravity Aerial, and Brittany from ACOD/AFA all of whom donated equipment to me after the fire so I could continue performing and teaching without interuption.
Our Cast
Photo credit: Martha Wirth Photography
Fallon Voorheis-Mathews, Founder & Artistic Director
Choreographer for Act 1: Fire.Ashes.Rebith
What drew you to aerial/dance, and how did you get started?
I grew up as a gymnast and then turned dancer and I came to aerial dance not only because it fused two of my passions but because the community is so much more inclusive for me. Every aerial class, festival, and retreat that I've done is filled with people cheering each other on and I love that part of it.
What’s your pre-show ritual or go-to way to get in the zone?
We have a company huddle before the house opens where we take some breaths together, repeat affirmations and then take our wings and fly about. My personal pre-show ritual happens just before the show starts while I'm waiting in the wings to take the stage. I take some deep breaths and say a little prayer or manifestation to the gods and goddesses that we stay safe, that our choreography pours through us and we are able to have an amazing show that allows us to connect with the audience.
Which act do you connect with most and why?
I think the obvious answer is Act 1—Fire. Ashes. Rebirth.—because it's my story. But throughout the creation process, I've found myself deeply connected to all of them. Under This Tree tells a beautiful story of people from different walks of life interacting with the tree, each grappling with the impermanence of life. And while I've never been a Star Wars fan, This Is the Way has completely captured my heart with its playfulness and exhilarating choreography. Each act holds meaning for me in a different way, making this show an especially personal and fulfilling experience.
Why do you think this show is important?
I think this show is important because art is essential, especially in unstable times. It gives us something to connect to—through its beauty, its heartbreak, and its excitement. It validates our emotions and challenges us to confront them. This show, in particular, tells stories that resonate deeply, reminding us that we are not alone in our struggles or our joys. It invites us to feel, reflect, and find meaning in shared experiences, proving that art is not just entertainment—it’s a necessity.
If you could have any superpower, what would it be?
I would be able to communicate with animals. I want to know what my pets are thinking and tell them that they will always be taken care of.
If you could perform with any artist (dead or alive), who would it be?
Tough one... But Queen with Freddie Mercury.
Photo credit: Annabelle Denmark Photography
Ashley Sonnier, Asst. Artistic Director
Choreographer for Act 3: This is the Way
What’s your favorite part of performing?
It can be very therapeutic.
What’s your pre-show ritual or go-to way to get in the zone?
Meditate before leaving for the theater, then listen to show music in the car, eat a good meal or snack for fuel before call time.
Which act do you connect with most and why?
Star Wars - this one is for the nerds.
What do you hope the audience takes away from this show?
That art can be deep, interesting, and fun/nerdy.
What’s your dream performance venue?
Buell Theater DCPA
Favorite hype song before a show?
Abracadabra - Lady Gaga
Photo credit: Martha Wirth Photography
Naomi Graff, Core Company Member
Choreographer for Act 2: Under this Tree
What drew you to aerial/dance, and how did you get started?
I was a marine animal nerd and went to see a dolphin show, then quickly became a trapeze nerd after seeing a trapeze performance over the dolphin tank!
Tell us about a moment in your aerial/dance journey that changed you.
I think almost every time I perform and get to express the complex human experience through dance I am changed a little. 🥹
Which act do you connect with most and why?
Well, probably “Petals” considering it’s representative of my journey through grief and difficult transitions—but I also love how fun Star Wars is and how community based the fire act is. ❤️
What’s your favorite memory with In the Wings?
Probably all of the times rehearsal is stopped due to ALL of us laughing so hard.
What’s your dream performance venue?
Somewhere really beautiful in nature (like a state park or something).
What’s one thing people would be surprised to learn about you?
I used to own 14 Australian Zebra Finches.
Photo credit: Martha Wirth Photography
Julie Young, Core Company Member
Tell us about a moment in your aerial/dance journey that changed you.
My first silks solo in 2015 was definitely a pivotal moment in my aerial journey- realizing that I was brave enough to go on stage and in the air in front of a crowd- the make up, the lights, and the community of encouragement back stage was such an amazing experience that pulled me into circus arts even more.
What’s your pre-show ritual or go-to way to get in the zone?
Take some deep breaths, drink lots of water, wiggle out all of my nerves, and pee like five times more than I actually need.
Why do you think this show is important?
This show is important because it will bring our audience through an emotional journey, and the show feels cohesive, vs. seeing a showcase-style aerial show (which I love those too) this show is going to feel very different to be witness from the audience’s perspective, as well as to be on stage in.
What do you hope the audience takes away from this show?
I hope the audience has a deeper appreciation for circus, dance, and performing arts- seeing that we have dedicated a lot of time and effort into this show. I hope they experience joy, sadness, excitement, and wonder. I hope they have a wide range of emotions while watching the show.
If you could have any superpower, what would it be?
Teleportation. I wouldn’t have to drive so much for rehearsals 😂
If you could perform with any artist (dead or alive), who would it be?
I’d actually really love perform with Stars Stone in Denver- I love her combination of comedy and aerial/circus arts.
Photo credit: Martha Wirth Photography
Christine Jackson, Core Company Member
What’s your favorite part of performing?
My favorite part of performing is bringing up emotions for the audience through my art and movement. It's so fulfilling to hear from folks that a piece I performed made them feel something! My goal is always to create and move in a way that sticks with the audience and makes the audience feel like they witnessed something special. Humans are meant to FEEL, and I love facilitating that through performing!
If you could describe your movement style in three words, what would they be?
Joyful, flowy, and LEGGY
What excites you most about Embers, Petals, and Stars?
I am soooooo excited to be able to perform in one show with three entirely different themes and choreographers! It has been so fun to dive into different movement styles, emotions, and ways of storytelling. I think the combination of all 3 styles will make for a powerful show that has a little bit of everything!
Why do you think this show is important?
I think this show touches on so many shared human experiences and topics. It displays grief, beauty, intensity, connection, isolation, joy, and power in equal measure. I think it's important because it reminds us of the ups, downs, and spirals of life and how we all go through individual yet connected experiences. And all of these things inform who we are and how we interact with the world. Plus, it's got some amazing Star Wars content that will be sure to thrill all my fellow nerds out there! ;)
If you could perform with any artist (dead or alive), who would it be?
It would be amazing to perform with Hozier! I am always inspired by his music and drawn to creating acts to his songs. I also feel like aerialists would fit so well with his on-stage aesthetic and presence.
What’s one thing people would be surprised to learn about you?
I fell into a manhole once like a real-life cartoon character. :|
Photo credit: Martha Wirth Photography
Al Firstenberg, Core Company Member
What’s your favorite part of performing?
I love the adrenaline rush that hits right before you step on the stage and then the feeling of excitement and momentum once you're on stage.
If you could describe your movement style in three words, what would they be?
Quirky, Worm, Grounded
Why do you think this show is important?
This show is important because it is the heart of three incredible women and demonstrates the multitudes which in them lie.
What’s your favorite memory with In the Wings?
My favorite memory with In the Wings was when I got to experiment with movements in the harness. I had a ton of fun messing and swinging around!
If you could perform with any artist (dead or alive), who would it be?
I think it would be awesome to perform with the K-pop group Ateez. Their shows are complex and tell a story and the dancing, both from the artists and the back up dancers, is mind-blowing!
Favorite hype song before a show?
Run BTS by BTS, or This Is What Dreams Are Made Of by Hillary Duff (Depends on the vibe honestly).
Photo credit: Martha Wirth Photography
Leah Grandstaff
Company Member
What drew you to aerial/dance, and how did you get started?
Bearing witness to the bicep building of my bestie :)
What’s your favorite part of performing?
Bringing the audience joy!
What’s your pre-show ritual or go-to way to get in the zone?
Mental quieting & running my act in my head
What excites you most about Embers, Petals, and Stars?
Seeing the segments come together!
What’s your favorite memory with In the Wings?
Greenroom shenanigans at the Arts Hub
If you could have any superpower, what would it be?
Flight
Photo credit: Martha Wirth Photography
Bayard Wenzel
Company Member
What drew you to aerial/dance, and how did you get started?
I love climbing! Growing up I always loved climbing trees, and when we got to climb ropes in gym I did it until my arms wouldn't open any more. When I first experienced corde lisse (circus rope) I climbed it until I bled! 10 years later a circus school opened up in my town, and I signed up right away.
What’s your favorite part of performing?
I think it's more the camaraderie & less the wigs. The wigs are okay too I guess.
What excites you most about Embers, Petals, and Stars?
Performing in a new venue!
What’s your favorite memory with In the Wings?
Riding the scaffolding around a darkened stage for a shared stage performance
If you could have any superpower, what would it be?
Like Magneto, only for bellybutton lint
What’s your dream performance venue?
Someplace big with a for-real winch
Favorite hype song before a show?
Wig in a Box, from Hedwig and the Angry Inch
Photo credit: Annabelle Denmark Photography
Nicole Londraville
Company Member
What drew you to aerial/dance, and how did you get started?
I took my first aerial class in 2010 and knew I had found my purpose.
Tell us about a moment in your aerial/dance journey that changed you.
I spent 2 years at The New England Center for Circus Arts PROTrack program and that experience really changed the way I train and perform. I learned it’s all about the technique. All the cool skills only come easy when you train the foundations repeatedly.
What excites you most about Embers, Petals, and Stars?
Nothing beats a group show. It’s so hard to have a cast of talented performers come together. So when it happens it’s special
What’s your favorite memory with In the Wings?
I loved being part of Bite and Other Bits
If you could have any superpower, what would it be?
I would love to be able to fly. But I wouldn’t tell anyone and I’d be the best aerialist in the world.
What’s your dream performance venue?
I’ve always wanted to perform off the side of a sky scraper
Photo credit: Martha Wirth Photography
Emily Monks
Company Understudy
What drew you to aerial/dance, and how did you get started?
When I was younger one of my best friends invited me to a ballet class and I instantly fell in love. Later in life when I learned about aerial it excited me how I could incorporate my dance background with this new type of performance.
What’s your favorite part of performing?
The adrenaline rush!
What excites you most about Embers, Petals, and Stars?
I'm excited that we will get to take the audience on such a varied journey of movement and emotion.
If you could have any superpower, what would it be?
Be able to change sizes and become a giant or shrink to a tiny size.
Photo credit: Martha Wirth Photography
Keegan Dunn
Company Understudy, Lead Puller
What drew you to aerial/dance, and how did you get started?
I try to pick up a new skill every year, and Fallon took it upon herself to make it the rest of the crew's problem! I just love watching people do what they love to do, and it just evolved from there.
Which act do you connect with most and why?
Act 2. It is the reminder that there is so much to see in the world if you just stop and listen. I think that's a reminder everyone needs sometimes.
Why do you think this show is important?
This show gives a voice to so many struggles. From the complex, impossible situations we all find ourselves in that are out of our control. To the quiet moments that often pass us by. It is also a reminder to find the beauty in everything around you, and to learn to be a little silly some times.
Favorite hype song before a show?
Too Much by Dove Cameron. Great energy builder.
Emily Scott Alea
Company Understudy
What drew you to aerial/dance, and how did you get started?
Truth be told, I wanted to be just like my big sister, and that’s what got me started in dance.
What’s your pre-show ritual or go-to way to get in the zone?
A real nice warm-up and some feel-good music
What excites you most about Embers, Petals, and Stars?
This is my first performance doing aerial work—I can’t wait to have my first go at it!
What do you hope the audience takes away from this show?
Each act feels very personal and meaningful to the choreographers. I hope the audience feels moved by those connections and sees the intentionality in the artistic choices.
If you could have any superpower, what would it be?
The superpower I would choose is flying! Ironic, huh?
What’s your dream performance venue?
Jacob’s Pillow—there is so much history there!